It’s Wednesday, which means it’s time for my second #Row80 check-in! So far I’m totally digging this blog hop–I’ve been very productive, and it’s nice to have a community of people to battle alongside!

hermione ron

So. To business. Since my last check-in, I’ve written 2,349 words of DIVE–that’s 849 more words than my goal! WOOT! I’m going to keep on keeping on, but here’s a quick excerpt from what I wrote this week. (UPDATE: this is a revised version, using the comments below, but please feel free to give me more feedback!)

Something warm tickles my side. I scramble away from where I am resting, but my skin continues to pulse with heat. I feel around, trying to find the source, until my fingers trace along a bump at my hip.  I slip my hand into the waist of my harakeke and pull out the stone I found in the lagoon. I had almost forgotten it was there—it feels as if I found it years ago, though it was only yesterday.

The grey stone sits heavy in my palm, and though it is a little warm, I cannot account for how hot it felt only a moment ago.  I rub my thumb along the thin crack that runs up the center of the stone.  I don’t know why I’ve kept it—surely the shimmer I saw in the lagoon was a trick of the light, just as the heat at my side was nothing more than a daydream.

And yet…I put it back into my pocket.

If you have any suggestions as to how I might improve the prose, let me know in the comments. This part is important, so I want it to really shine. 🙂
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Fantastic news! I have another interview for you, this time with YA writer Rachel Pudelek! Rachel has agreed to talk to me about the revision process as well as her newly agented manuscript, DEADLY SPLENDOR. Take a look at what she has to say, then feel free to ask her follow up questions in the comments!

 Rachel

“Trust your instincts. I believe a writer’s muse is their instincts. The more you use ’em, the stronger they become.”

1. A few weeks ago, you signed with Christa Heschke of McIntosh & Otis, Inc. Hooray! Since then, you’ve been working with Christa to revise your manuscript, DEADLY SPLENDOR. Can you tell me about the story?

Thanks! Super exciting! I have a couple different blurbs on my blog under the “Writing” tab, but here’s my query:

Sixteen-year-old Allura comes from a long line of man-eaters.

That’s why she and her sisters have to stick together, because living as the descendants of folkloric women while pretending to be human isn’t easy. Especially when you attend an everybody-knows-everybody school like Friday Harbor High.

The elder’s prohibition of man-hunting centuries ago has left each generation of Femina Mari weaker than the one before, their hunger obsolete. Allura and her sisters still tree-jump and can take down a shark when they work as a team, but their strength and prowess dims in comparison to that of their foremothers. Only the forbidden mixture of testosterone and adrenaline found in male flesh can give their abilities a super boost.

But when their new leader announces she’s resurrecting the old ways, Allura’s embarrassing fantasies of hunting guys are encouraged. She’s the first of her generation to show true Femina Mari tendencies, and the elders couldn’t be more pleased. If she embraces her yearnings, she can awaken the carnal hunger within her sisters and revive her weak species, ensuring their place back at the top of the food chain. Allura doesn’t want to be the monster the elders insist she is, but she refuses to abandon her sisters.

So falling for David, the delicious-looking guy she’s hunting, scares the hell out of her. Especially when loving him reveals not all males deserve her wrath. If Allura obeys the elders, her cravings will intensify with each kill. And unleashing the flesh-hungry side of her sisters can’t be good for mankind. But if she defies the elders they’ll destroy David—the only guy she’s ever entrusted with her heart.

Too bad falling for the enemy never tasted so good.

2. That sounds awesome! Now, we hear a lot about revisions before writers query, but not often do we get to peek over the fence and see the other side. Tell me a little bit about what the process working with Christa has been like so far.

It’s actually really fun. When you’ve been revising over and over again, not exactly sure if you’re headed in the right direction, it feels amazing to have a professional who knows the business take your hand and guide you. As far as the process goes, it’s different for every agent/author partnership, but I’ll share mine with you.

During THE CALL Christa explained her general revision ideas. After I signed with her, she sent a page of revision notes. They weren’t bullet points or anything, and most of them weren’t exact. They were paragraphs starting with a question or thought about the story or character and then a few sentences with ideas on how to answer that question or go deeper. For instance, in one paragraph she mentioned how much she liked seeing the cult-ish ways of Alllura’s kind, so she suggested I add another scene to include one of their rituals.
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Under each of her revision note paragraphs, I answered back with my ideas and opinions. On the ritual note, I asked her how dark I can take it and then explained where I think it’d fit best and what it’d be about. After I read through and left comments for each revision idea, I sent it off to her. She responded to each of my comments, and we went back and forth like that until we’d nailed them all down. Then I got to work. 🙂 I just finished last week, so we’ll see if I’ll need to go for another round after she reads the newly revised manuscript.

DeadlySplendor

3. That sounds like a lot of fun…and a lot of work! Has this experience changed your perspective on writing or editing at all? 

Yes! Christa has shown me that back story isn’t evil, if done correctly, which gives me more freedom to delve deeper into my characters. Also, her notes were basically ways to add to my story, a manuscript her and her assistant already loved. There was not one thing she insisted I change, and knowing this has given me more confidence in my writing and my ability to critique manuscripts.

4. What was the most challenging part of your journey to representation? How did you find the strength to keep going?

The most challenging part was feeling like I was the only person who REALLY (with every emotional piece in me) believed in my story. When you’ve been querying a manuscript for over a year and can’t make it past the first round in countless blog pitch contests, you (and everyone else) wonders if it’s time to trunk the thing, even if temporarily. But I just couldn’t. I’d trunked my first ms, so it wasn’t as though I didn’t know when it was time. I’d even written a third ms while querying DEADLY SPLENDOR. But I wanted SO BADLY to have Allura’s story told to the masses that it ached within me. The way I found the strength? Cling to every single shred of hope–every compliment. 🙂

5. Last but not least, can you give querying writers a bit of advice from the other side? (Bonus points if it’s something other than “keep going!”)

I have a few bits, if you don’t mind. 🙂

~ Don’t believe every negative thing you hear! Because we are SO GOOD at doing that! Trust the genuine compliments and hold on to them. Reread them if you’re having a rough writerly day.

~ Trust your instincts. I believe a writer’s muse is their instincts. The more you use ’em, the stronger they become. When your character does something that works perfectly in the story, but you would have never thought of it yourself, that’s your instincts, not your logical side. I believe we writers (for the most part) have amazingly strong instincts, and yet we question ourselves constantly! I’m not saying you should be stuck in your ways and ignore advice, because advice and critiques help you grow as an author, but stop questioning your ability. You’re either a great writer, or you’re on your way to becoming a great writer. Both are headed in the same direction, headed toward your dreams. 🙂

And that’s a wrap! If you have questions for Rachel, feel free to ask them in the comments! I also recommend that you follow her on twitter!

Thanks for reading!

Lauren

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It’s been three days since I joined Row80, and I’m proud to say I’ve written over 1,500 words! So far, my goal of writing 500 words a day seems to be working.

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I said I’d include a snippet of what I’ve written each week, so here you go. Background: Lwin and Kiro have just finished diving, but a strong storm is rolling in off the coast. They must get back to the village before the storm strikes the island. Enjoy!

The wind and rain are too strong for Lwin and me to climb up the face of the cliff, so we run the long way around the shallows, to a sandy trail that snakes back and forth up the other side of Makai. By the time we reach the top, the trail is little more than a muddy river clinging to our ankles. I can tell that Lwin is as cold as I, but she says nothing.

The village is empty, save for a few men securing the roofs of the older huts, their hair blowing wildly in the wind.

“We should go to Elanja’s!” I yell over the roar of the storm. “I think Tan will be with her!”

We run through the rows of huts, our hands held over our heads to protect us from the rain. When we arrive, Lwin immediately runs inside. I follow her in, gritting my teeth against the cold. I do not know what will be worse—the damage from the storm, or Elanja’s anger that we stayed outside for so long.

There are men who take cialis on line australia heavy dose of this tablet is in milligrams. These effects are usually mild to moderate depression and online viagra canada two million Britons are taking it, you have to be careful. This medication can’t expand male sexual longing, can’t shield him cialis buy on line from sexually transmitted diseases, and can’t serve as a contraception pill. In addition, research indicates that when you cialis samples deeprootsmag.org practice visualization, you create new neural pathways in the brain and immune dysfunction. The hut is warm and dry, though I can still hear the howl of the storm outside. I shake my head, sending a spray of water off me. I am about to ask Elanja for a dry skin, when I feel Lwin’s cold hand on my arm.

“Kiro.”

I look up to find four faces in the darkness, none of them Elanja’s.

-DIVE, chapter 13

YA magical realism

So there you have it. Check back in on Wednesday for another update my progress! OH! And please feel free to leave any feedback on the sample in the commets. I’d love to hear what you think!

Thanks for reading.

Lauren

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Hey guys! The lovely Lauren Garafolo, Juliana Haygert, and EM Castellan have convinced me to join A Round of Words in 80 Days, otherwise known as “the writing challenge that knows you have a life.”

What is Row80? Nothing more or less than a group of writers who commit to whatever sort of goal works for them, be it daily word or page counts, daily writing schedules, or brainstorming!

Row80

So what’s MY goal, you ask? I’d love to finish DIVE by July 1, 2013. Since I have currently written 26k words and I am shooting for 65k words, that means I need to write roughly 500 words a day between now and July 1st. My writing availability may change, but for now…I think it’s totally do-able!

If you’ve been struggling to give up smoking, exercise brand viagra pfizer on a daily basis and observe your diet. Although, anything that disrupts the physiological functions of the cialis 5mg uk body. It is soft tab viagra a genuine medicine with high clinical effectiveness and success rate. There are so many disorders cialis for order which people face in their lives. I’m going to be checking in with Team Row80 via blog post, but I’ll also be giving you a snapshot of what I’ve written that week. Should be fun! If you’re interested in joining me and the dedicated writers who have committed to this challenge, you can check out their blog and follow the #Row80 hashtag.

Come on…what do you have to lose?

Join us today by adding your name to the linky list!

DIVE, Reading + Writing, Row 80
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I have a really special treat for you guys today! Charlie Holmberg is fresh off the query train, and she has landed herself an agent! Take a look at what she has to say, then feel free to ask her follow up questions in the comments!

Charlie Holmberg

“I knew that if I studied and worked hard I would become a stronger writer, and eventually my books would become strong enough to earn merit.”

1. You recently signed with Marlene Stringer of The Stringer Agency. Yay! Tell us a little bit about the manuscript that landed you an agent. 

Yes! I’m so exuberant about it. Honestly, it doesn’t feel real. Yet.

I queried Marlene with THE PAPER MAGICIAN, which is a YA fantasy inspired by Diana Wynne Jones’s Howl’s Moving Castle. To make things easier on myself, I’ll just post my pitch (WHICH, readers, underwent Lauren’s mighty query skillz):

Nineteen-year-old Ceony never wanted to be a paper magician. After all, she didn’t attend the Tagis Praff School for the Magically Inclined to enchant paper for the rest of her life. But when a shortage of Folders takes away her dreams of be-spelling metal, she’s forced into an apprenticeship under the peculiar Emery Thane.

Though Ceony’s first impression of her teacher pins him as possibly mad, she soon discovers there’s more to the man than paper spells. But just as she begins to appreciate Magician Thane, a woman barges into Thane’s home, rips his heart from his chest, and leaves him to die. Acting quickly, Ceony crafts Thane a paper heart, but the weak organ only grants Thane a couple more days of life at best.

Despite her fledgling abilities in paper magic, Ceony is determined to take back Thane’s heart before the paper replacement fails. But what she doesn’t expect is that to reclaim the heart, she’ll have to literally travel through it—and if learning Thane’s darkest secrets isn’t jarring enough, one wrong move may leave her trapped inside them.

(note from Lauren: Thanks for the shout-out, Charlie! If you guys want to read more about my query editing services, you can check this page out…after you finish reading this interview, of course!)

2. You’ve already detailed your publishing journey thus far over on your blog, but can you tell me more about querying previous manuscripts?

I would hardly say my publishing journey is over, but the road is certainly a lot shorter now!

I’ve been taking writing seriously for about seven years, and THE PAPER MAGICIAN is the ninth book I’ve written, and the sixth I’ve queried. I never queried the first book I finished (it was very flawed and extremely long), and books seven and eight are still in their revision stages.

I queried my second book because my mentor at the time, Brandon Sanderson, more or less required us to do so for our final (this was a creative writing class at Brigham Young University). I only sent out six queries for that book because I knew it wasn’t actually publishable. I only sent out 11 queries for my third book because again, I knew it wasn’t ready to be published (I still hadn’t mastered the active protagonist at this point). I did receive two requests, though. That was nice.

My fourth book was the first one I thought could get me somewhere, and it’s actually currently sitting on an editor’s desk. I queried that one fairly thoroughly, but outside of this particular publisher, I ultimately got rejections all around. My fifth book (man, this list is getting long…) I queried extensively. I got a handful of requests, but they ultimately ended in rejections for one reason or another (one because the magic was too weird, ha!).

I only recently halted queries on my sixth book, FOLLOWED BY FROST, which is also sitting on an editor’s desk. I got several partial requests for it, and even an R&R. Unfortunately, I think I missed out on a lot of agents because the book lacked emotion in the first half. I’ve actually withdrawn the manuscript from a couple agents because I signed with Marlene.

Then there was THE PAPER MAGICIAN, and that’s history. 😉

3. If one manuscript was continuing to be rejected, how did you know it was time to move on to a new project? What was the hardest part about moving forward?

I wouldn’t say there was a “time” I needed to move onto a new project because I always had a new project going. While querying one book I would be revising or outlining another. I stopped querying a book when I simply ran out of agencies and publishers to query, though I did open up to small presses at the beginning of the year.

The hardest part of moving forward for me is when I know a book is good, but I’ve run out of options and fear it will never see the light of day. I didn’t feel this confident about a book until FOLLOWED BY FROST, though, so moving on only started getting hard about a year ago.

4. Was there ever a time you thought about giving up on your writing dream? If so, what motivated you to keep writing?

Never give up, never surrender! /namethatmovie
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I never considered quitting. There were times where I started wondering, “What if this never works out?” But deep down I knew it would. I knew that if I studied and worked hard I would become a stronger writer, and eventually my books would become strong enough to earn merit. The biggest question was, “When?”

I always told myself I could make it to book #13. Brandon Sanderson, who also happens to be my favorite author, was working on book #13 when he sold book #6. So I always told myself, “Just make it to 13!”

5. One of the most impressive aspects of your writing from my point of view is your worldbuilding. Tell me a little bit about your process.

Aw, thanks! That means a lot to me. 🙂

You know, it kind of depends on the book. Six out of my nine books are epic fantasies, and once I have an idea for those, I go to the map. I want to know what the continent looks like, what the country looks like, etc. The way a world works greatly affects the people living on it, and the people affect the stories, so I have to start with the world. Exports, imports, races, customs, cultures, etc. Sometimes I make it from scratch, sometimes I steal it. One of the books currently in revision is based off ancient China, which required a lot of trips to the library.

As far as my YA books go, I get the basic idea of the world and then let it develop from there. My YAs are simpler and smaller in scope, so they don’t need as many specifics. THE PAPER MAGICIAN’s world was inspired by Downtown Abbey, and my sixth book’s world was inspired by Little House on the Prairie. I took those ideas and molded them to fit what I needed.

downtown abbey

Anyway, for anyone writing science fiction or fantasy, I definitely recommend How to Write Science Fiction and Fantasy by Orson Scott Card. Worldbuilding at its finest.

6. What advice can you give to querying writers? (Bonus points if it’s something other than “keep going!”)
Ha ha! Keep going!

But really, one of the best pieces of advice I ever received for querying was, “If you haven’t queried into the triple-digits, you’re not done querying.” That means at least 100 queries per book! If nothing else, people will start to learn who you are. I had a few agents who knew exactly who I was when I queried them for the second–or sixth–time because I had a query on their desk every three to six months. (And you know that when an agent finally starts calling you “Mrs. Holmberg” instead of “Mr. Holmberg,” they’re getting familiar with you).

My other piece of advice is this: If you’ve sent out partials and aren’t getting any bites, stop and look at your manuscript, especially the pages you’re sending as a sample (usually the first 50). What are you missing? I think I would have had more success with FOLLOWED BY FROST if I had caught the flaw with my first 50 pages sooner. I found a brand new CP who told me what I was missing, and after that I got a lot more requests.

The publishing world really is subjective, so don’t get disheartened. 🙂

Thanks so much for the interview!

And that’s a wrap! If you have questions for Charlie, feel free to ask them in the comments! I also recommend that you follow her on twitter 🙂

 

 

P.S. This post is part of the wonderful Thursday’s Children blog hop! I am so amazed by my writer friends, that I thought I’d let Charlie be my inspiration of the week!

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My good friend Juliana L. Brandt and I talk every single day, most of the time about writing and the publishing world, which allows us to keep a pretty close eye on each other’s moods. So when she pointed out that lately I’ve been a little negative about writing, I knew she was right.

The only problem was…I didn’t know what to do about it. In fact, when she first told me, I got defensive. “I’m not negative,” I said. “I’m just realistic about the challenges I’m up against with my book.”

But I was lying to myself, blaming my book for causing my unhappiness. In actuality, the truth was that my book wasn’t failing me…I was failing my book.

My particular situation is this: I’ve been working on SIGHTLESS for almost a year now, and recently I came up against a series of plot problems. I was so stressed out, so furious with myself for letting these problems exist, that I ceased to be able to see a way through them. I whined a lot. There was some blank staring. And then…my friends shone a bright light of hard truth in my face: your book isn’t broken, it just needs some tweaking  You can take a break from it, and that doesn’t mean you’re giving up (thanks, Kiersi, for that one).

And that was when I realized that I was misinterpreting the business of writing (the ups and downs, the ins and outs) as small, daily failures to create a perfect book. And that’s not just a bad way to make art, its a bad way to live

I’ve seen a lot of blog posts that talk about the benefits of failure, but it isn’t until recently that I really started to understand what that meant. Sometimes you need to try and “fail,” to really understand what it is you’re trying to do in the first place.

Are you guys familiar with the Beckett quote “Try Again. Fail Again. Fail Better”? It’s pretty famous in some circles, and I’ve always loved it. But again…I’m just starting to truly understand what it means. If you try something, and you fail, and then you try again…did you really ever fail? In my eyes, “failure” implies that you’ve given up, that what you’ve done was the last attempt at success, and now it’s all over.

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So here’s the awesome news: I took my friends’ advice. I put SIGHTLESS aside (not trunked, just…aside), and started working on another book. And lo and behold, I feel GREAT. I allowed myself to “fail” a little bit by putting the book aside, and it helped me to discover what a fantastic concept I’ve been sitting on. And when I’m done with this draft, I’ll go back to SIGHTLESS, and I’ll take a long hard look at what it is I want to accomplish. And then I’ll get back to that wonderful business of failing better…until I succeed.

Thanks for reading. I look forward to hearing your thoughts in the comments.
Lauren

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At the beginning of 2013, I decided to read one book per week. In January and February, I read a total of 7 novels…a little short of my goal, but still pretty good.

Recap: CINDER, FABLEHAVEN, LEVIATHAN, MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN, PARANORMALCY, STARDUST, and THE CONTORTIONIST’S HANDBOOK.

Now it’s time for the March and April round up. Let’s see how I did!

Forst of Hands and Teeth

I read this book at the recommendation of Juliana L. Brandt, and I was not disappointed. THE FOREST OF HANDS AND TEETH is a thoughtful zombie story that pits the main character against not only the undead, but the repression of her religious upbringing. If you’re curious about the role of God in a violent dystopian society, this is a good read for you.

Buy/Borrow/Bust: Borrow. While I enjoyed this novel, it did little to expand my understanding of the zombie genre (and yeah…that’s basically a genre, these days). It’s still a good read, especially if you’re into the undead…but it might not be worth those dollars you’ve been saving up for a spectacular read.

Best Place to Read It: In the dark. Buwahaha.

Right click to buy: The Forest of Hands and Teeth

Jenny Finn

I love graphic novels, especially the dark ones…but this wasn’t my favorite. The art is solid, but the story left me feeling…meh. A little girl who brings death upon a small, coastal town…that sounds awesome, right? And yet…

Buy/Borrow/Bust: Bust. Not worth it.
Best Place to Read It: In the aisle of Barnes and Noble, so you don’t have to buy it 😉

Right click to buy: Jenny Finn: Doom Messiah

Night Circus

This is the best novel I’ve read in a long time. Wait, let me try that again. THIS IS THE BEST NOVEL I’VE READ IN A LONG TIME. Morgenstern’s writing is gorgeous. The magic dances on the page, and I couldn’t put it down. My kingdom for a single evening at the Night Circus.

Buy/Borrow/Bust: Buy. Absolutely.
Best Place to Read It: I carried this book around with me for a few days so I could read it whenever I had a spare second. I have a feeling you’ll do the same.

Right click to buy: The Night Circus

Sandman Vol 1

PRELUDES & NOCTURNES is the first volume of the SANDMAN series, and it is far from the best. However, it’s fascinating to watch Gaiman manipulate the tropes of both GNs  and dark fantasy. You’ll have a few bones to pick with this particular volume, but it sets in motion a truly wonderful series (and yeah…I’ve read this before. That should tell you something about how good it is!)

Buy/Borrow/Bust: The entire series is pretty expensive, so I’d suggest you borrow it and see how you like it before you buy it.

Best Place to Read It: In a diner…
Right click to buy: The Sandman Vol. 1: Preludes & Nocturnes (New Edition)
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seraphina

I went into this book with low expectations. I’m not a huge fan of high fantasy, and dragons don’t typically interest me that much. But Rachel Hartman proved me wrong. Her unique take on dragons (they can shape shift into humans!) combined with her fascinating worldbuilding made this a fun read. I particularly enjoyed the final quarter of the novel…although I suppose that’s usually the case when you’re reading a novel that unfolds like a mystery!

Buy/Borrow/Bust: Borrow. Unless you love high fantasy. Then you might want to buy it.
Best Place to Read It: Somewhere with lovely music, to complement the musical aspects of the novel. I recommend piano 🙂

Right click to buy: Seraphina

STC

This is a bit of a cheat, since it’s not a novel, but I DEVOURED Blake Snyder’s guide to writing a screenplay. Some of the advice isn’t useful to a novelist, but the majority was pure brilliance. Synder breaks down the movements of the novel into a helpful “Beat Sheet,” thereby showing you exactly how and why your book accomplishes (or fails) what you’ve set out to do. If you’re a writer (or a film lover), you should absolutely own this book.

Right click to buy: Save The Cat! The Last Book on Screenwriting You’ll Ever Need

Buy/Borrow/Bust: Buy.
Best Place to Read It: I read this book in a single sitting. So find a comfortable chair or couch and tell your friends you’re going to need a few hours to yourself.

Warm Bodies

I’m not sure how it happened, but I read 2 zombie books in the last 2 months! Luckily they were total opposites. WARM BODIES is told from the pov of “R,” a teenage zombie with a heart of gold. I laughed out loud at this book, and I enjoyed the ways it twists the genre.

Right click to buy: Warm Bodies: A Novel

Buy/Borrow/Bust: Buy. I’ve heard the movie is so-so, but I thought the novel was clever and funny.
Best Place to Read It: “R” might be pale, but that doesn’t mean you have to be. Go read this book out in the sun. This is a great beach read–lighthearted and quick.

Thirteen Reasons Why

If THE NIGHT CIRCUS was the best novel I’ve read in the last year, then this book wins for best YA. TH1RTEEN R3ASONS WHY addresses bullying and sexism without breaking a sweat. It’s painful at times, funny at others, and infinitely moving. I think this novel should be required reading for all teenagers. Seriously.

Buy/Borrow/Bust: Buy!
Best Place to Read It: Like SAVE THE CAT, I read this novel in a single sitting…so I recommend getting comfy. Oh…and grab some tissues. This is a tear jerker.

Right click to buy: Thirteen Reasons Why

AND THAT’S A WRAP!

Looks like I beat my January and February list by 1 book! If I continue at this rate, I’ll read around 45 books by the end of 2013 (and that’s on top of all the manuscripts I’m reading). That ain’t half bad!

Have you read any of these books? What did you think? Do you have any book recommendations? Tell me in the comments!

Thanks for reading!

Lauren

Book Reviews, Reading + Writing

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This is my second Thursday’s Children post. Today, I’m talking about the main inspiration behind my writing.

Thursday's Children

So.

I’ve been having a Dark Night of the Soul these last few days. First I felt overwhelmed by how much work I had to do, then I found out I had some serious revisions ahead of me that are going to take a lot longer than I had foreseen. I thought the book was in a certain place, but it turns out I was overestimating how ready it was to be sent out into the world. Suffice it to say, I’m bummed about that.

rain tennant

People say writers often go through the 5 stages of depression when they receive feedback, and I think that might be true. However, there are a ton of articles about writers and depression out there (here and here and here, for example), so I don’t feel the need to go through that here.  What I want to think about isn’t the negative side of writing, but the incredibly POSITIVE side of it, b/c I think we’ve all had enough sadness this past week.

Please_yes_kurt

My friend Juliana L. Brandt asked me the other day (in the midst of a lot of whining on my part) why I write. I was caught off guard by the question. Isn’t it obvious? I thought at first. It’s because…but then I didn’t really have an answer.

So I forced myself to figure out what it was, and then I wrote it down.

It wasn’t just that I loved “creating,” although I do (part of my answer was that I love the craft. Pushing a sentence to its limits, even if it sometimes breaks. I think there’s something magical there, something worth fighting for.
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But the bulk, the heart of the reason I write, is this:

I have a lot of friends and family that care about me, but I still feel alone sometimes. Writing helps me feel connected. It helps me feel like I’m part of a larger conversation, like I’m being heard and also hearing others.

And that can be summed up even more succinctly, I think, into something like:

I write because I want to connect with people.

I’m still not out of the post-feedback doldrums (hell, I haven’t even started revising yet), but I AM looking at my book with a renewed sense of purpose, which in turn has helped me reexamine what it is I’m trying to communicate with  my book. I’m happy about that.

So what about you? Why do you write?

Please let me know in the comments.

Oh, and guys? Thanks for listening. Love ya.

aladdin hug

Reading + Writing, Sightless: A Novel in Progress

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DIVE, Reading + Writing, Sightless: A Novel in Progress

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Comment

I’ve decided to rename my main character, and

I’d like YOU to help me pick her new name!

Question Mark Face

Character Snapshot: She’s the daughter of a hit-woman, and she’s training to be one herself. She’s fiercely protective of her family, but she’s also impulsive and stubborn. OH YEAH! She’s also telepathic, and goes blind as a side-effect. If you’d like to read a short excerpt from SIGHTLESS before you vote, go here!

Pick your top 2 favorites names,

and I’ll announce my new character name next week!

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If you have questions or suggestions, let me know in the comments!

Thank you!

Lauren

Reading + Writing, Sightless: A Novel in Progress
3 Comments